Marguerite Duras
Marguerite Duras remains a rare writer for her unique ability to represent human emotion as an uncertain element in a changing world. She is distinguished for often abject portrayals of intimacy beyond cultural boundaries, including the surprising turns her characters take while in love, especially in a climate that complicates or hinders their attachment. Duras’s major preoccupations include focusing on what she calls her “colonial childhood” and coming-of-age in an environment that breeds hostility and forces proximity with an Other. Duras’s literary and cinematic representations of that time betray an authenticity that is at times uncomfortable for modern audiences – with its deeply fetishistic gaze, treating Otherness of any sort as a means to an end. However, Duras displays a tenderness and a nuance that contextualizes her gaze and her musings, and eventually, an awareness that is not loud but certainly penetrating. Her unpretentiousness is particularly noteworthy in how she presents her stories of desire and devotion to us. Her gorgeous films showcase her eye for beauty, and with the recent translation and republication of her debut novel, Marguerite Duras is once again a prominent part of the cultural consciousness, now more than ever.